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“There Nancy,” she whispered, “is a sunbeam for breakfast dipped in milk.” Zalhambra was a vaudeville artist. His was the star act on each bill. He was undeniably a genius; it needed but a few bars of fortissimo plus crescendo to realize that he was a virtuoso of the first rank. When he played a Rag the audience shouted with delight; but when he sprinkled torrential cadenzas through the dizzying syncopation, like some mighty giant tossing meteors into a handful of fire-crackers, something like an electric shock stirred his hearers. “I dassent do it, Betty,” replied Moses. “Anyhow this ole pair of scissors ’d do the job better.”.

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“Here, slow-pokes, drop yer carrots in this here bin.” He indicated an empty oat-bin. “Mebbe you’re right, Moses; mebbe the seed was no good,” sighed Mrs. Wopp. “Anyhow, it’s too late now to put in any more. We carnt know ef the heart o’ a seed is good no more nor we kin know the heart o’ our next-door neighbor. The seed may ’pear to be good enough from the outside, yet arter all be mighty lackin’.” The Wopps, father and son, attacked the load of hay with such vigor that it was quickly disposed of. Just as the last forkful was being pitched over the corral fence, the boy looking up saw a vehicle approaching. “One of the brothers, hurt.”.